死亡与变形

　　In sepia tones, the film moves back and forth among three periods in Robert Tucker's life: he's an old man, near death, in a nursing home at Christmas time; he's in middle age caring for his cheerful but dying mother; he's a lad at Catholic school, practicing his catechism, going to confession for the first time, receiving the Eucharist, surrounded by the singing of a children's choir. In middle age, he looks through his scrapbook of photographs of muscular men; he recalls lovers and his mother's cremation. A nurse sits beside him on his last night; in his last breath, he reaches forward and back.早上妻子上茅厕时刻溘然大呼一声，我立刻冲曩昔，她说手机掉茅厕了，来日诰日能帮她买个iphone6不，我说尼玛太低估我的智商了，手机掉茅厕，那尼玛为啥手里还拿着SIM卡！