第七日，第八夜

　　This apocalyptic parable carries within it a clear echo of the 1968 invasion of Czechoslovakia. This unforgiving exploration of the Czech mentality tells the tale of a troupe of wandering actors who perform a passion play in some unnamed village. Fear of some unknown danger breaks out in the village, which is cut off from the surrounding world. Stupidity, selfishness and aggressiveness then come to the surface in this society under threat. In the film's key scene, a woman is raped by the self-styled leader. Zdenuk Mahler, who would later work on Forman's examination Mozart Amadeus, worked on the script或人在牛奶场找到一份事情，第一天放工，老板给他一只桶和一条凳让他去牛奶棚挤奶，他快乐地领命而去。放工的时刻，老板见他被溅了浑身的牛奶，并且那条凳子腿也断了，就问他：“怎样，这活挺难吗？”　　The director Evald Schorm (1929-1988) was one of the most original members of the Czech "New Wave". During the "normalization" era, Schorm spent many years unable to direct. His last film, Killing with Kindness (1988) was only made in the twilight years of Communism. During that period when he was unable to direct films, he became an outstanding stage director. He directed groundbreaking productions at the "Na zábradlí" Theater and Laterna Magika.